Tag: Dystopia

TRAILERS! WALKERS! A Giant Tiger!

July 21, 2017

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Okay, so, full disclosure for my 3 followers, this has been an INSANE week (in a good way – SO many creative projects to tend to, and even a job interview to prepare for next week with the word “artist” in its title!!!), and I don’t feel I can give a full, thoughtful post on the current End of World Subcategory I’m tackling (ALIEN INVASION!!! Stay tuned…), but didn’t want to blemish my track record of posting at least once a week by taking a complete break.

And I just watched the recent trailers (unveiled just today at San Diego Comic Con!) for The Walking Dead and its little sister, Fear the Walking Dead:

Fear The Walking Dead 3rd mid-season premiereTrailer

The Walking Dead Season 8  premiere Trailer

Suffice it to say, I’m brimming with geeky excitement and anticipation for all the upcoming post apocalyptic carnage and badassery to come. I will try to keep my commentary brief, but:

FEAR TWD:

1.) Not sure if it’s because it’s original (not based on previous source material, other than its sister show), but I love that there aren’t any comic book spoilers ever.

2.) Also because it’s original and perhaps partly due to current times, FEAR is tackling social politics waaaaay more than TWD, and it’s spot on, timely and pretty savvy. I really appreciate how sometimes, instead of going in the predictable direction we are used to from TWD, Fear does a complete 180.

3.) The snippet where Madison comes face-to-face with Daniel in the storm drain! Can’t wait for that reunion.

4.) It’s looking like, instead of a Governor/Prison scenario, the native people and survivalist compound folks will form some kind of union (that will likely be tenuous, given that Troy is a sociopath, for one) and help each other, at least for awhile.

TWD:

1.) Looks like some great heroic speeches by Rick and Maggie…I kinda want Ezekiel to RECITE Henry V’s St. Crispin’s Day speech in its entirety at some point, because he is amazing, and it would be awesome, and it would totally work, since the character was a stage actor before the zombie apocalypse!

2.) BIG badassery from all our favorite folks. Daryl returning to being badass and blowing shit up instead of weepy, emo Daryl (pleasegodplease) sorry – I am a perv for Mr. Dixon.

3.) Was looking for the beach ladies, but didn’t spy them. I have to think they’ll show up again sooner or later, because why else would they have spent two episodes on them?

4.) Jesus and Morgan getting into it? WTF? Morgan saying “I don’t die”, means he’ll probably die.

5.) And…are they trying to psych us out with that ending? Is Rick going to wake up from his coma and discover it was ALL A DREAM??? That is awesome and sucks, all at the same time.

There you have it. Some impressions. This nerd girl can’t wait for September 10 and October 22 respectively!Fear The Walking Dead Season 3B, Photo credit: Courtesy AMC

Original Post Apocalyptic Play: feed/back opens tonight!

July 11, 2017

feedback banner 2Hijacking my own blog once again and interrupting the End of World Subcategories, since my very own postapocalyptic play opens tonight on the 12th Avenue Arts stage on Capitol Hill in Seattle!

Two months ago, 6 theatre artists met for the first time at ACT theatre to start devising a new work for MAP theatre’s first-ever off-night (MAP’s Night Off) production. It was an experiment: come up with two 45-minute pieces based on the set rendering for MAP’s mainstage production Greensward, which would be playing concurrently on more traditional show nights.

Armed with nothing but that and our own thoughts and interests, we set to work. One thing we kept going back to was how we all felt we’d gone through some kind of twisted wormhole to an alternate universe after the election events of 2016. That, and this patch of grass Untitled ended up being the spine of what was to follow.

Rather than two pieces, we ended up envisioning the future as it took place in two parallel universes: one that is our current timeline, with our current U.S. president, and one where the election went in the other direction.

A thing we realized pretty quickly was that, going forward, neither of these worlds is idyllic. If you take November 8 of last year as the jumping off point where the two worlds split, there was still bad stuff happening, particularly where climate change is concerned. In predicting a future where the Democratic nominee won, yes, we decided things probably wouldn’t have gotten as bad as quickly as they do in the other future (like, probably the U.S. wouldn’t have pulled out of the Paris climate change agreement, for one). But realistically? On Nov. 8 we were already past the tipping point where global warming is concerned. We are. Now. Past the tipping point. But more on that later.

In the world where victory went to the Democrats, things were already bad, with regard to the environment, but instead of vilifying or denying scientific claims, we embraced them and actively tried to prevent…but things were (are) already too far past the point of no return to be anything but temporary Band-Aid fixes. The population continued to grow, putting even more strain on already limited resources. New scientific discoveries were being made to cope with these limited resources (my character, in fact, created a cheap and easy way to desalinate water – GO ME!) but it was all far too little too late. So, it’s not like everything was all hunky-dory.

The other world is the future of OUR timeline, where victory went to the Republicans. Things in this world went downhill much faster. Low-scale nuclear war with North Korea, paired with already-bad things getting worse: denial of climate change dumped more carbons/toxins into the air, permafrost melt spewed more noxious gasses (and also microbes that had lain dormant for thousands of years) into the air, warming the earth further, things went from bad to worse. The population was reduced drastically in this world, and as society collapsed and people were more isolated from each other and began living in smaller, tribal communities, dormant psychic abilities began to flourish, and at the time our play takes place, most surviving human beings are telepathic and have the power to control one element or another.

In both worlds, we wrote in an eruption of the supervolcano under Yellowstone that occurs in roughly 2060. So, in both timelines, things were not going too well…until this grass emerged (perhaps lying dormant under the permafrost for thousands of years?) that could metabolize ash and restore soil back to its original state, ready to seed and harvest in a few weeks. For a few decades, famine declines and crops flourish again in both worlds.

Which brings us to somewhere around the year 2135, where the play takes place in both worlds. The grass has been dying for a decade or so and our characters, prominent scientists in one world and powerful magicians in the other, have been tasked with making sure the grass doesn’t die. The play begins when our heroes are at the last patches of grass: a temple in one world, a research station in the other.

It was interesting to write something that had roots in actual science, but we did! Even more interesting to write about a possible future of our own world…we’d discuss all these horrible scenarios with excitement and gusto, and it was really sobering once we realized we were actually talking about the potential future of our own world. I was formatting the script one day, and a little girl came on some talk show and sang Louis Armstrong’s “What a Wonderful World” and I burst into tears mid-edit.

Yesterday, I read this in its entirety before our dress rehearsal, which was quite depressing…and then to read some of the comments below, lots of mansplaining about how people are just being extremists and it’s not really that bad. I think to myself, “Well, if it’s not really that bad, if we just ACT as though it’s that bad, and have some kind of plan in place and start really working on fixing it in earnest, it can’t possibly hurt. But if we do nothing and it actually IS that bad, I guess the joke’s on us.” It seems as though, well, the joke IS on us. I don’t have much hope of us fixing things, and am glad I’m not leaving any kids behind to have to suffer through it…I’m sure I’ll see enough in my own lifetime as it is.

The actual set for both pieces ended up being quite different from the rendering (above), but also ended up working even better for feed\back, (9 smaller patches of grass instead of one big one!) and it’s actually QUITE stunning (as are WE in our labcoats rehearsing Act I, the “science” part of the script):

feed\back, Act I
feed\back set & rehearsal: (LtoR: Tae Phoenix as Kyt, Carolynne Wilcox as Lo, Aimee Decker as Sybil and Josh Valencia as Flint)

So, you have the backstory. I can’t divulge much of the actual plot until after it’s opened, but if you’re in town, feel free to come check it out – it runs, mostly on off-nights, through the month of July, and there will be talk-backs fol-lowing selected perfor-mances, to solicit thoughts & feedback about feed\back!

Click here for dates and tickets, and please feel free to ask me any questions, I am always happy to answer.

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Too Close For Comfort: Current Times & The Postapocalypse

June 28, 2017

FlagI’m gonna take a little respite between End of World Subcatogories (back to that next time!) to ponder something I’ve been stewing on for a bit, particularly since a friend of mine tagged me on this particular tweet:

Screen Shot 2017-06-27 at 11.26.13 AM

Whilst it specifically mentions dystopian fiction (the Societal Breakdown!), I would say I’ve had many more Disturbing Thoughts regarding postapocalyptic and disaster fiction as well since the advent of the wormhole this country seemed to collective fall into on November 8th of last year.

Depending on the day, it feels like we will either explode in some kind of nuclear conflict with North Korea, with all the unhinged tweetings of this creature who is supposed to have the best interests of every American in mind (fat chance) (I still can’t put his name after the word “president”), or plunge headlong into something resembling The Handmaid’s Tale at the hands of our current vice president. And then there is the very real and imminent threat posed by climate change/global warming. You don’t have to be a scientist to believe this…we are rapidly approaching the tipping point of no return.

I used to find this sort of fiction cathartic – not sure I can fully describe why, but it has something to do with “Oh, it’s just fiction – as bad as things might be, we’re not THERE yet”…because I don’t think I’ve ever felt this close to THERE as I have over the past few months. And thus, my interest in this type of story has shifted a little…rather than being as completely cathartic as it was before, I look to these movies, television shows and books as a means of instruction, really. What are these people doing in these simulated situations that I could learn from, in the very real possibility of the Sh*t Hitting The Fan for real.

From Walking Dead, I’ve learned not only how to kill a zombie (it’s gotta be the brain!) but which weapon tends to be better in this type of apocalypse. Guns work, of course, but they’re SO loud!Better to use something like a katana, a crossbow or a barbed wire-covered baseball bat: they’re quieter, and get confiscated less. And that the following skills are better than currency: hunting, farming, healing.

From The Stand, I learned to trust my gut – especially when it comes to my dreams. From The Last Ship, I learned that in an outbreak, one should keep one’s distance from others as much as possible.

From most dystopian fiction, I’ve learned that if something is amiss with the way things are being run, don’t ignore it, don’t go with the flow. Resist early, resist often, enlist like-minded people to your cause and fight tooth and nail to keep the freedoms and benefits you have.

From nearly ALL postapocalyptic fiction, I’ve learned one HUGE fundamental thing: other survivors can be your source of greatest strength and your biggest enemies, because the collapse of civilization brings about all sorts of opportunists who size you up according to what they can take from you. Darwinism at its most base, I suppose.

Oh. And if I start talking about what I’ve learned from speculative, climate-change scenarios, I’m going to start crying.

Would love to hear why this type of fiction appeals to you, and what, if anything, you’ve learned from your experiences of it!

 

 

 

End of World Subcategories: The Societal Breakdown (or, DYSTOPIA!)

June 23, 2017

 

DystopiaThere has been a bit of a debate about whether or not Dystopian fiction belongs with Postapocalyptic fiction, and I say YES! I bring to you the SOCIETAL apocalypse, because it is the apocalypse of a society. Probably not as much death as, say, a zombie or nuclear apocalypse, but there areusually still mass casualties and things are definitely NOT As They Were Before. Oftentimes, dystopia is a result of some sort of larger and semi-apocalyptic event that precedes it (say a small-scale nuclear conflict, or famine, disaster, etc).

In a Societal Breakdown, we often see a culture, a people slowly implode – there is a small minority of folks who have certain and often extreme (Hitler, anyone? The current Religious right, anyone?) views about how things should be, and this small minority of folks either finds themselves in power or seizes power. It would seem nothing is amiss, at first, and life goes on as normal, but then things begin to change. Little freedoms begin to disappear. Curfews are established. Certain people begin to disappear.

Societal Breakdowns, in fiction, are pretty much all over the map. But the thing they have in common, is there are always rebels who disagree. Many rebels and detractors always die early on, and become a cautionary tale and/or inspiration for the protagonist, who is oftentimes disgruntled with the dystopia, but goes along with it until some catalyzing event that forces them to finally become part of the resistance in earnest. Star Wars: A New Hope is a classic example, actually: Luke Skywalkwer dreams of joining the rebellion against the evil Galactic Empire, but is stuck on his uncle’s moisture farm in Tattoine. His parents have died early on (of course, we come to later find out, his father is still alive and at the very helm of the Empire, but Luke believes he is dead until that discovery) as casualties of the dystopian society. The catalyzing event is that he and his uncle buy some used droids that just HAPPEN to have come directly from one of the leaders of the rebellion (Princess Leia), and contain secret plans on how to destroy the Empire’s ultimate weapon, the Death Star. Ultimately, Luke blows up the Death Star, which is a huge victory for the rebels, who ultimately bring down the Empire at the end of Return of the Jedi.

Unfortunately, in Star Wars, we don’t get to see so much of the dystopian society itself – the Empire’s reach is so vast that it only barely touches Luke’s daily life until he is caught up in the middle of it. Other fiction goes much further into the history of why the dystopia exists, what its characteristics are, and why it’s ultimately unacceptable for the majority of its citizens.

Books: Animal Farm, 1984 by George Orwell, Brave New World by Aldous Huxley, Anthem by Ayn Rand, Dayworld by Philip Jose Farmer, Oryx & Crake by Margaret Atwood

Movies: Divergent series, Star Wars (original trilogy), The Hunger Games series, Minority Report, Snowpiercer, V for Vendetta 

TV Series: The Handmaid’s Tale, Almost Human, Fringe, Dark Angel

Earth 2100

May 18, 2017

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Since I use it SO OFTEN as a reference, I thought I’d give a shout-out to Earth 2100, a little mockumentary I saw when it was first aired on ABC back during the summer of 2009. It basically chronicles what I like to refer to as a “slow, comfortable apocalypse” via climate change. It explores what might happen if every climactic, worst-case scenario were to happen using both scientific facts, mock-commercials, and is seen through the eyes of “Lucy”, the fictional narrator, as she lives her life, born in 2009 and living until 2100, and how the dominoes fall to total, societal collapse, via environmental disaster.

I seem to bring it up during nearly every discussion I have of climate change, apocalypse and dystopia, and my writing partner Jen and I have used the world at the end of this mockumentary as the setting for the post apocalyptic play we’ve been creating over the past few years (and will hopefully be produced at a TBD theater in Seattle sometime during 2018!).

Given what is happening with current United States “leadership” (abolishing the EPA, ignoring science, appointing climate-change deniers to prominent positions, etc), it is especially chilling to revisit this film in 2017. I think we may already have passed the tipping point. Please check it out and leave comments – would love to discuss it!

You, Me & The Postapocalypse

May 13, 2017

When I was in 8th grade, The Day After aired on television. It was the junior high equivalent of a water-cooler topic – we were ALL talking about it beforehand, and we were definitely all talking about it the day after. As a movie, it wasn’t the most perfect example of speculative fiction, but it served as great fodder for classroom discussion (especially in the middle of the cold war!). I remember a friend and I, during summer vacation, creating our own fictional bunker in case of nuclear war – we’d spend hours just figuring out how long we’d have to stay underground, who we’d like to bring with us and what kind of sewage/water/food systems we’d have to subsist on.  The Day After was probably my formal introduction to the subgenre, likely the first I’d thought of it, and was the kickoff to a lifetime’s fascination.

Sub-genre of what, you ask? Is apocalypse/aftermath fiction horror? Is it science fiction? I’ve long had a fear it will become science FACT. I like the umbrella term “Speculative Fiction”. Under its wings, you might find Science Fiction, Fantasy, Horror, etc. And I suppose, depending on the type of apocalypse, you would then go on to put things under those subcategories…zombie apocalypse might fall under horror, whilst robots destroying the world might fit better with Science Fiction.

​In high school, I read my first Stephen King novel, The Stand, which tells the story of a world decimated through a superflu plague. Another of my friends had also read it, and we spent hours on the phone each night imagining what we might do in such a scenario, where we might travel, what and who we might bring, and how we might rebuild society. Obviously, I was hooked.

Several decades later, I am no less fascinated and intrigued by the different iterations of fictional apocalypse, and have happily devoured many television, film and book tales with varied and imaginative end times. I’ve even written a couple of post-apocalyptic plays. And there is no shortage of end days’ paranoia, given the current political situation and global climate, to think about. Climate change anyone? Nuclear war? How ‘bout some Ebola?

Right now, my intention is an entire apocalyptic blog on the subject and of course, all its potential subcategories, because, though I have very little control over things unfolding on the world stage, at least I can have some control over this.  I’ll discuss zombies, aliens, asteroids, WWIII, acts of god, no Armageddon is off limits, and maybe I’ll throw in speculation about how one might survive such a thing, and even discuss putting together different sorts of survival kits for your more run-of-the-mill cataclysm. I’ll make book, film and tv recommendations on each subcategory, because lord knows I’ve consumed a lion’s share!

If this is your thing and you’re intrigued, feel free to take a look! And if you have any suggestions, thoughts, or ideas on topics you might enjoy reading about within the subject, please feel free to share your feedback.